Lindsey
Mann
My childhood
was spent with a father obsessed with anything mechanical. From
mending household gadgetry to tinkering with tractors, he’d
have a go. Fixing them was always secondary to finding out how they
worked. His shed was, and still is, like a hospital ward for all
things mechanical or motorised and nothing was ever thrown away
as “you never know when it might come in handy”. Screws,
nuts and bolts, ball bearings, cogs, instruction manuals and bits
and bobs from dismantled contraptions crept into the house, and
were mingled amongst our everyday belongings. I never did and probably
never will understand what half the things do or what they are used
for, but I can’t help but think that they have had an influence
on the things I make now.
Print
and colour are fundamental to my work. I use anodised aluminium
and a number of colouring techniques to create a backdrop for each
collaged piece of jewellery. Combining my patterned aluminium with
precious metals and found materials I work intuitively, placing
and shifting elements of a piece until the composition comes together
and it all makes sense. By incorporating found and altered objects
alongside my nonsensical mechanical inventions I hope to perhaps
trigger a vague memory for the viewer by creating both familiar
and yet foreign associations.
Biographical Details