CLAIRE
JOHNSTON
A recent graduate from BA (Hons) Applied Arts,
based at the University of the Creative Arts at Rochester, Claire
creates contemporary sentimental jewellery that is influenced by
her life journey so far.
The Tooth Fairy Series (January 2008) is a range
of jewellery that uses castings of her daughter’s milk teeth.
Using mementos and objects that are sentimentally precious as her
inspiration, Claire creates pieces that invite the audience to contemplate
the value of sentiment. The range is constructed in silver, with
some gold plating, and echoes of Victorian and traditional jewellery
through form and aesthetic.
As a first class honours graduate, Claire has already
started making waves in the design world, being shortlisted for
the Liverpool Design Show, National Student Design Competition.
She was the only student amongst the finalists that was not a furniture
or product designer, she says, “I was thrilled to be nominated.
The fact that my work has been recognised on a national level by
established designers is an enormous achievement for me, and validation
that my pieces are conceptual and pushing boundaries of contemporary
jewellery.”
Her most recent work is inspired by the initial
reaction of the audience to her Tooth Fairy Series.
“I was surprised by the diverse and interesting reaction to
the Tooth Fairy Series. Some people loved the pieces and would wear
them despite that they were my daughter’s teeth castings;
others loved the pieces, but were reluctant to even touch them,
even though they were not the real teeth.
Others were unsure of whether they liked them or whether they considered
them grotesque. This diversity of reactions provoked me to consider
audience participation with the pieces for the next series of work
I created :the Ceramic Tooth Fairy Series.”
In conjunction with the engineering department
at Greenwich University in Chatham, Claire had a 3D scan of a tooth
prepared. This was then enlarged and created through the process
of rapid prototyping, to a scale of 400% and 800%. These giant teeth
were then cast and recreated in porcelain. Experimenting with different
glazes, and other media, such as hair and silver, Claire has created
stunning, wearable jewellery that is conceptually innovative, and
that invites the audience to consider their own sentimental motivations.
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